The Fondation Vincent van Gogh is a new gallery in Arles dedicated to the artist who immortalised the city in some of his greatest work.
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Van Gogh lived for just 15 months in Arles, in 1888-1889, before committing himself to the psychiatric asylum in nearby Saint Paul de Mausole.
His time here was brief, then. But his art reached a new peak, as he discovered the intense light, passions and colours of the South.
He created hundreds of works in Arles, including some of his best-known and greatest paintings. Click here to read more about them, and about exploring the town in his footsteps.
Today, posters and souvenirs on sale all over Arles remind you of van Gogh's visit (and try to cash in on it). But you couldn't see any of his actual work here. Until now.
The Fondation Vincent van Gogh was created in 1983 to promote the artist's work in Arles. But the real game-changer came more recently, in 2014, when the foundation opened a new, stunning gallery with the facilities to host prestigious shows.
Its base is in the mediaeval quarter of Arles, in the 15th century Hôtel Léautaud de Donines, once a hôtel particulier (private town house) belonging to a wealthy merchant.
It's just round the corner from the Musée Réattu, and many of the sites which van Gogh painted while he was in Arles.
This mansion has been given a lavish 21st century makeover. Around 11 million €uros have been spent on transforming the interior into a complex of flexible and luminous modular spaces that can exhibit both small and very large scale works.
The emphasis throughout is on the light of Provence that once dazzled van Gogh. Pictured: An installation paying tribute to van Gogh by the Swiss artist Urs Fischer at the Fondation in the winter of 2016-2017.
The gallery's total capacity is 1,000 square metres / 10,700 square feet and it has all been adapted to modern international standards of security and climate control.
So the venue itself is very swish. But the Fondation Vincent van Gogh doesn't have its own collection, let alone any actual paintings by the man whose name it bears. In fact, no museum in Arles possesses a single piece by van Gogh.
So, to compensate, the Fondation's Artistic Director, Bice Curiger, has developed a canny two-pronged policy: to host temporary loans of pieces by van Gogh and to devise exhibitions around contemporary artists inspired by him.
In the summer, the spotlight is firmly on the master's own work. In previous years these shows have been mounted on the themes Couleurs du nord, couleurs du sud (Colours of the North, Colours of the South) (2014), van Gogh's drawings (2015) and van Gogh in Provence (2016). They attract thousands of visitors.
In 2017 there is an exhibition exploring "calm and exaltation", with eight paintings by van Gogh from the Bührle Collection in Switzerland. It aims to show how the artist's palette changed and his technique matured after he moved south and continues until 17 September.
The contemporary artist featured at the Fondation over the same period is the American painter Alice Neel (1900–1984), while the British sculptor Rebecca Warren (born 1965) has two pieces in the gallery forecourt.
In addition to all this, one painting by van Gogh, loaned by the Van Gogh Museum in Amsterdam, remains on display in Arles all year around, changing each spring.
This year it is L'Entrée dans une carrière (Entrance to a Quarry), pictured, which he also painted in 1889 in the Alpilles countryside near Saint Paul de Mausole.
Here's what the Fondation says about Entrance to a Quarry: "He [van Gogh] tirelessly paints and draws new Provençal motifs: cypress trees, olive groves and hills.
"The low Alpilles range rising behind the hospital buildings provides Vincent with an opportunity to paint the rugged massif as well as the quarry located nearby."
Museums worldwide are massively reluctant to loan out van Gogh's work. It's a sign of how respected the Fondation has quickly become that it has been able to secure such loans and to stage some very ambitious shows.
The man behind it all is the Swiss philanthropist and conservationist Luc Hoffman, who also founded the World Wildlife Fund and has already been involved in major environmental projects in the Camargue.
His daughter, Maja, is on board too, and is also working on the huge, €100 million LUMA arts complex on the edge of the city, scheduled to open in 2018. When that is all complete, Arles will confirm itself as a must-visit focal point in Provence for modern art.
The Fondation is of note for its own architecture and design too. While visiting it, you should also check out the roof terrace, which has great views over the rooftops of Arles, Bertrand Lavier's entrance portal, pictured top left, designed around van Gogh's distinctive signature and the glass roof sculpture, pictured, by Raphael Hefti that, on sunny days, casts a shimmering play of multi-coloured shapes into the gift shop.
But the art is the thing, of course. You can't visit Arles without bumping into the Vincent's ghost. Now, finally, you can see some of his masterpieces here too.
Where: Fondation Vincent van Gogh, 35 ter rue du Docteur Fanton, 13200 Arles Website for the Fondation Vincent van Gogh in Arles
If you are planning to visit several sites, check out the combination tickets on sale at the Arles Tourist Office which will get you reduced-price admission (and free admission for an accompanied child under 18) to the city's main museums and monuments.
Find further reading on Amazon:
Click here to buy The Letters of Vincent van Gogh, here to buy The Yellow House by the art critic Martin Gayford, an account of van Gogh's tumultuous nine weeks in Arles with Paul Gauguin, and here to buy Van Gogh's Ear by Bernadette Murphy, a new look at the facts behind the notorious ear-severing incident.
Photo credits (from top): © Hervé Hôte, SJ for Marvellous Provence, Van Gogh Museum, Amsterdam, Hervé Hôte.